Wall hangings

Jane Keith's wall hangings combine drawing, colour and textile processes to create original artworks for interior spaces. Working primarily with silk and wool, each piece evolves through a dialogue between works on paper and a process-led approach to making. Drawings, collages and colour studies form the foundation of the creative process, with ideas developed through sampling, layering and hand painting before being translated into cloth. Throughout her practice, colour, rhythm, materiality and an exploratory approach to making remain central.

Collections draw inspiration from landscape, architecture, travel and decorative pattern, and are grouped into three distinct series: Linear Landscapes, Harlequin and Essaouira.

Linear Landscapes

Inspired by agricultural landscapes and the changing rhythms of the countryside, the Linear Landscapes collection explores the marks and patterns found within the working landscape. Ploughed fields, pathways, boundary lines, farm buildings and expansive horizons are translated into abstract compositions of colour, line and form. Developed through drawing, photography and observation, these works capture a sense of place through structure, pattern and colour.

Harlequin

The Harlequin collection explores geometry, repetition and colour through bold, structured compositions. Inspired by antique tiles, decorative flooring and historic architectural details, the work investigates the relationship between shape, symmetry and tessellation. Repeating forms and carefully balanced colour palettes create dynamic compositions that celebrate decorative pattern, visual harmony and the interplay of order and variation.

Essaouira

Inspired by visits to the coastal city of Essaouira, Morocco, this collection reflects the rich colours, textures and architectural details found throughout the city's streets and buildings. Layered colour, pattern and surface draw on influences from painted walls, weathered textures, textiles and decorative motifs. The resulting works offer a vibrant and expressive exploration of colour while maintaining the process-led approach that underpins Jane Keith's wider practice.